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Waves plugins for pro tools 12 mac7/27/2023 When turned on, you’ll get the harmonic distortion from the original console, and when off, you get a modern type of distortion.Īt the very top of the EQ section, two switches give you two choices for the sound and reaction of the EQ. In this version of the SSL 4000, you get all you need to make your tracks sound great, as it includes a mic/line preamp, the standard compressor, expander, filters, two EQ types, and stereo enhancing features.Īt the top, there’s a button labeled “Analog,” which you can turn on and off to change the color of your preamp saturation. Let’s see more about that in our key features section. It includes several signal path possibilities, a preamp, two console EQ emulations, stereo enhancing capabilities, etc. This plugin portends to be an all-in-one channel strip solution for mixing situations. This plugin is a notorious improvement of the earlier SSL GChannel, released in the early 2010s, and had limited modeling of this famous console. The SSL EV2 Channel emulates the sound and channel strip of the SSL4000, a classic studio mixing console from the ‘70s. This plugin is a recreation of Wave’s SSL GChannel but with the latest modeling technology and new features. Top 12 Saturation Plugins In 2023 (Best Mixing & Mastering Tools) 2. It’s not as heavy as other Abbey Road plugins, which allows anyone to use it regardless of your computer specs. It delivers great quality and can bring to life almost anything that might come your way. It comes in VST 2/3, AU, AAX, and RTAS formats.Ībbey Road Saturator is simple, powerful, versatile, and especially practical because of its crossover and tonal controls. The Abbey Road saturator lets you activate or deactivate each section, which allows tremendous tonal possibilities that you can achieve by combining all or some of the specific aspects of this plugin.Ībbey Road Saturator is available for Windows 10 or higher and macOS 10.13.6 or higher, both 64-bit only. Both are three-band semi-parametric equalizers with two shelving filters (high and low) and a mid-frequency bell filter with variable frequency and bandwidth. You get a pre-EQ and a Post-EQ to balance the input and output tonality of the signal. In addition, this section includes an individual mix control just as in the previous stage. This section lets you set and blend saturation modeled after the TG12345 and the EMI REDD 17 consoles from Abbey Road Studios. This section incorporates a crossover, on which you can set the specific frequencies on which you want to add more harmonic distortion, the amount of saturation, flip the phase and blend in separately from the distortion itself. Then, choose whether to affect the signal entirely or whether to distort only the middle or sides exclusively and balance the amount. You can set how the Abbey Road Saturator will process the signa l to stereo, mid, or sides.
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